Bands: Wreck the Halls tour- Street Dogs, Roger Miret and the Disasters, Stigma
Date: 12/16/2009
Location: Black Cat, Washington DC
This show mixed some of the best street punk still out there with a couple of hardcore legends.
Stigma is fronted by legendary hardcore guitarist Vinny Stigma, best known for his work with Agnostic Front. Surprisingly, Vinny did the lead vocals but did not play at all during Stigma’s set. I was unfamiliar with the band before this show, and I left fairly impressed. Their music has that hardcore sound, but with more harmonic vocals, similar to H2O. I hesitate to call it “melodic hardcore” because that term invokes memories of many terrible pre-emo 90′s “hardcore” acts that were described as such, but that’s probably the best term to use. They had a lot of energy, but the DC crowd wasn’t up to the task. The pit consisted of a mere 3 people, despite the loud, fast music blasting from the stage. In the middle of Stigma’s set, they did an updated version of Crucified (originally by DC hardcore legends Iron Cross) called “Still Crucified,” which I didn’t particularly like. It sounded like a poor cover of the original rather than a new take on it. However, they closed strong, finishing with two Forced Reality covers: “We’re Not Alone” and “15 Pints and I’m Still Standing.” Sadly, the crowd had no idea what was going on, and I’m pretty sure I was the only one there who actually knew the songs.
Next, Roger Miret and the Disasters took the stage. Miret is also the front man for Agnostic Front-the Disasters are his street-punk side project. Years of hard living have taken their toll on his appearance, yet his performance is just as strong as ever. The Disasters’ music is fast and strong. They even mixed in a couple of new songs, which were definitely up to their standards. The show really picked up when Vinny Stigma picked up a guitar and joined Roger Miret to play a couple of Agnostic Front favorites: Gotta Go and, of course, Agnostic Front’s version of Crucified (which more than made up for the lackluster Stigma version earlier in the night). This alone was worth the ticket price.
Finally, the Street Dogs took the stage. Miret and Stigma certainly don’t lack charisma, but Street Dogs (and former Dropkick Murphys) front man Mike McColgan has a stage presence like no other. The band came out to Wild Cats of Kilkenny by the Pogues, which got the crowd moving before they were even on stage. Highlights of their set included a beer-chugging contest before “Toby’s Got a Drinking Problem,” new songs, a moving rendition of “Final Transmission” dedicated to the troops overseas, former Dropkick Murphys guitarist Rick Barton joining them onstage, and of course, my personal favorite Street Dogs tune: “Katie Bar the Door.” McColgan even did a stage dive and got the crowd to carry him as far as the mic cord would allow, then return him to the stage.
The Street Dogs returned for an encore, and closed with a rocking cover of Sham 69′s “Borstal Breakout” as the crowd joined them onstage (much to the chagrin of Black Cat security).
The whole experience felt like a Dropkick Murphys show from 10 years ago, when no one knew who the Murphys were and they tore up tiny clubs (yes, the Dropkick Murphys were around in 1999 and yes, I’m old enough to have been at the shows). It was definitely a worthwhile way to spend a boring Wednesday night.